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Showing posts with label conceptual art. Show all posts
Showing posts with label conceptual art. Show all posts

Thoughts on the Comedian as a Social Scientist, Teacher, Artist


Good stand-up comedians are doing performance art. Key word being good comedians. Maybe good isn't the right word. I'll elaborate..... comedians whose stand-up routine includes insights into the human condition, are doing great performance art. Important work. I am being totally serious.

It has occurred to me recently (and many times before) that some of the biggest influences on my way of thinking have been comedians (more specifically their stand-up routines, which, like a work of art, are often developed and polished over a period of time.) People like; Bill Cosby, Bill Hicks, Bill Burr, Bobcat Goldthwait, Whoopi Goldberg, Roseanne Barr, Andy Kauffman, Lenny Bruce, Sarah Silverman, (and many more).


“Folks, it's time to evolve. That's why we're troubled. You know why our institutions are failing us, the church, the state, everything's failing? It's because, um – they're no longer relevant. We're supposed to keep evolving. Evolution did not end with us growing opposable thumbs. You do know that, right?”  ― Bill Hicks

It's amazing to me how artists like these manage to tackle subjects including: social commentary, political commentary, satire, philosophy, truth to power, and more; with deep insights into these subjects, and sell it to the audience. Things that are hard to talk about maybe in daily conversation, things you don't see on traditional media like television, film, and newspaper. Sometimes things that you are not going to learn in any classroom. So this is just a little tribute to the stand-up comedian/world philosopher role that is very important in my opinion, to modern culture.

I want to mention Andy Kaufman specifically, who didn't do stand up as much as he did actual performance art. Check out the documentary A Comedy Salute to Andy Kaufman (1995). Or any other of the many different  media forms out there that talk about him. Andy's art (I call it performance art more than comedy) was misunderstood by a lot of people I think.


"What's real? What's not? That's what I do in my act, test how other people deal with reality." - Andy Kaufman

To me his work was about how much of a reaction he could get out of people, by manipulating their basic emotions with his antics, for his own twisted gratification (which is kind of awesome). Or on the opposite end of the spectrum, using simple things in a moment of poetic whimsy, like a jazz artist might. Example - Kaufman's "Mighty Mouse Theme" skit. If you judge Kaufman's work sheerly as comedy maybe some of the critics have a point. But in my opinion his work crosses over into social commentary and really great performance art. Like a lot of good art, it transcends any label you might try to put on it. I am one of those hoping that his pre-mature death was his last great bit of work, and he is still out there somewhere, sweeping up the floor of a deli, quietly enjoying life.

Digital Lumia Art By George Stadnik

I originally had a blurb about artist George Stadnik at the end of a recent post, but he was kind enough to provide me with a picture of one of his works, so I thought this deserved it's own post. If you haven't checked out my post on light shaped to create art, check out this post: Thomas Wilfred's Lumia, and George Stadnik's website is: The Art of Lumia.



Image © by George Stadnik, all rights reserved

This is a still-shot from the new Digital Lumia DVD release - "Three Times Three". The image is from the first 30 seconds of the piece, which is a series of three movements, each 6 minutes long. Mr. Stadnik says the inspiration for this composition comes from, 'Monet's studies of light and shadow at different times of the day at Rouen Catherdral.' His website cited above has various pages with more work to view and background information on the more classic Wilfred version of Lumia, as well as the digital work described here.

In addition to DVD ordering info, you can find a 4mb clip from the movie "Flame" on the Digital Lumia page. Definitely check it out it's not only light-bending, it's mind-bending. You might have seen some of those screensavers/visuals that correspond to the music you play in your digital music player... well this is like that but with like a million times better resolution, design, and texture with a much more organic feel. You have to see it to believe it. A big thanks goes out to Mr. Stadnik for sharing his work with us.

Understanding Art with Marcel Duchamp



The more I learn about Marcel Duchamp the more I think he is one of the great pioneers of modern thinking not only in art but in culture in general. One could easily draw comparisons between Duchamp's redefining of what 'art is' and comedian Andy Kauffman's redefining of what 'comedy is'. One of the main themes in the work of both cases being (to me anyways) that the thought behind the art as well as the result is together the work of art. Both men were not afraid to get booed or receive criticism for their controversial and conceptual art.

"What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion."

-Marcel Duchamp (from The Creative Act)


In the Duchamp quote above he speaks of the perception of a work of art. A lot of people might make their perception of an art piece based partially on (what I'll call the 'academic technique') of a work of art. But Duchamp reminds us that this is not necessarily the most dominant factor in a piece of art, if it plays a role at all. Click on The Creative Act link above, (in the quote credit) it's an essay Duchamp presented in 1957, and is quite fascinating.